Keepers of the truth…..More than 30 years after the band's formation, Solstice has created what is in my opinion their best album to date. Prophecy--the band's fifth studio album--consists of five tracks (with no breaks between them) that all in all run for just under an hour. (In addition, there are three bonus tracks which are older Solstice tracks remixed by Steven Wilson.) The album revolves around a concept or theme that wisely is never allowed to overshadow the great music. The comic book-like artwork by Marvel artist Barry Kitson provides an appealing visual aspect. The lyrics and the artwork complement the music well making for an organic unity.

Eyes Of Fire opens the album in a rather low-key fashion and on my first listen I worried that I was in for a sleepy experience. But instead this builds up nicely to a guitar solo and leads the way to the much more energetic Keepers Of The Truth and onwards to an exciting and progressive journey. The vocals are often Yes-like with the female lead vocals of Emma Brown being backed up by male harmony vocals in a way that strongly evokes how Chris Squire and (to a lesser extent) Steve Howe characteristically back up Jon Anderson in Yes. Even some of the New-Agey lyrics remind of Anderson's lyrical style and some acoustic guitar parts remind of Steve Howe's acoustic playing. The electric lead guitar playing of Andy Glass instead often evoke (his namesake in Camel) Andy Latimer's wonderful sound. The many violin-driven passages often remind me of Kansas.

With Yes, Camel, and Kansas belonging to my personal all-time favourite bands, being reminded of them here is a blessing for sure and a basis for commendation. But I also wish to stress that Solstice are by no means just followers, they have a sound of their own that also draws on Folk and Jazz music in ways foreign to the above mentioned Prog giants (and the New-Agey/World-Music 'feel' of the music is, if not unique, at least somewhat unusual; perhaps Mandalaband can be mentioned in the context). Solstice has certainly inspired hordes of female-fronted progressive Rock bands of more recent decent. They are often counted among the pioneers of the British Neo-Prog movement, but in reality they have close to nothing in common with the usual suspects of that subgenre (Marillion, Pallas, IQ, etc.). Solstice is somewhere in the borderlands between Neo-Prog and classic Symphonic Prog. The keyboard sounds may be modern, but the mind-set is closer to that of classic progressive Rock.

The three bonus tracks are remixes by Steven Wilson of three tracks from Solstice' 1984 debut album Silent Dance. The latter is a very good album as well, but hearing these tracks straight after the new tracks just stands to emphasise that these songs are better heard within their original context (new remixes notwithstanding). If you don't know Solstice yet, starting with Prophecy is a good idea, and the three bonus tracks (when heard in isolation from the new material) should make you curious about Silent Dance and the band's other albums. Solstice is a great and unfairly overlooked band well worthy of your attention.

Highly recommended!